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	<title>Geeky Mac &#187; Final Cut Pro Tips &amp; Tricks</title>
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	<description>The Geekyest Mac News, Tips &#038; Tricks Around</description>
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		<title>Final Cut Pro Tip #048</title>
		<link>http://www.geekymac.com/?p=559</link>
		<comments>http://www.geekymac.com/?p=559#comments</comments>
		<pubDate>Mon, 28 Apr 2008 11:21:32 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=559</guid>
		<description><![CDATA[Take advantage of an external drive to help re-capture and media manage footage for final edit.
Okay, here&#8217;s the situation.  Your client did a preliminary edit and captured footage themselves.  They bring you a drive with a ton of footage, some of the stuff is good, but some needs to be recaptured.  
Sounds [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<title>Final Cut Pro Tip #047</title>
		<link>http://www.geekymac.com/?p=449</link>
		<comments>http://www.geekymac.com/?p=449#comments</comments>
		<pubDate>Tue, 04 Sep 2007 12:21:00 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=449</guid>
		<description><![CDATA[The New Window Burn
Final Cut Pro has always had the ability to add a timecode window burn to a clip or sequence.  The problem is, that took an extra step or two.  The sequence would have to be rendered and then exported.  Sure if you were going to tape this is no [...]]]></description>
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		<slash:comments>5</slash:comments>
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		<item>
		<title>Final Cut Pro Tip #046</title>
		<link>http://www.geekymac.com/?p=443</link>
		<comments>http://www.geekymac.com/?p=443#comments</comments>
		<pubDate>Sat, 01 Sep 2007 16:45:44 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=443</guid>
		<description><![CDATA[Use Master Templates to make Multiple Graphics a Breeze
So have you have worked on a show with a ton of CGs?  Lets say lower thirds, for people&#8217;s name and whatever else the director wants to note.  It can be a real pain the you know what.  But using a Master Template and [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Final Cut Pro Tip #045</title>
		<link>http://www.geekymac.com/?p=399</link>
		<comments>http://www.geekymac.com/?p=399#comments</comments>
		<pubDate>Tue, 08 May 2007 16:08:06 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=399</guid>
		<description><![CDATA[Use Timecode in Quicktime
In the 7.1.6 update to QuickTime, Apple was kind enough to give us the ability to view timecode right inside of the application.  This is a really nice feature, because FCP editors do not have to export a window burn for client review any longer.  As long as the QuickTime [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>Final Cut Pro Tip #044</title>
		<link>http://www.geekymac.com/?p=307</link>
		<comments>http://www.geekymac.com/?p=307#comments</comments>
		<pubDate>Mon, 15 Jan 2007 09:30:12 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=307</guid>
		<description><![CDATA[Quickly Move Clips Between Tracks While Keeping the Same Timing
As many Final Cut Pro techniques are concerned, there is more that one way to get things done.  Way back in Final Cut Pro Tip #002 we discussed how to use the shift drag technique to move a clip from track to track without moving [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Final Cut Pro Tip #043</title>
		<link>http://www.geekymac.com/?p=268</link>
		<comments>http://www.geekymac.com/?p=268#comments</comments>
		<pubDate>Mon, 18 Dec 2006 10:04:33 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Apple]]></category>
		<category><![CDATA[Digital Video Editing]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>
		<category><![CDATA[Geeky Mac Stuff]]></category>
		<category><![CDATA[Pro Video]]></category>
		<category><![CDATA[fcp]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=268</guid>
		<description><![CDATA[Match Frame to Source File
As mentioned in tip #30, the match frame feature in Final Cut Pro can be very handy for quickly getting back to a master clip.  To quickly recap, the f key will match the frame of the playhead, in the timeline or canvas, to the same frame of the master [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Final Cut Pro Tip #042</title>
		<link>http://www.geekymac.com/?p=245</link>
		<comments>http://www.geekymac.com/?p=245#comments</comments>
		<pubDate>Mon, 11 Dec 2006 10:21:47 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=245</guid>
		<description><![CDATA[FxPlug Generators &#038; Effects

When Apple updated Final Cut Pro to 5.1.2, it added a very cool new feature, FxPlug.  FxPlug is the effect plug-in architecture used in Motion.  This is really exciting news for FCP users because it means that there will be more advanced plug-ins to use with FCP.
While it may take [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Final Cut Pro Tip #041</title>
		<link>http://www.geekymac.com/?p=206</link>
		<comments>http://www.geekymac.com/?p=206#comments</comments>
		<pubDate>Mon, 20 Nov 2006 11:21:57 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=206</guid>
		<description><![CDATA[Final Cut Pro Tip #041 &#8211; Out of Control
Final Cut Pro is very flexible when it comes to device control.  And Firewire sure has made things easy, with a one cable does it all connection.  However, if you use a video capture card, there are many more cables to connect including control.
Most professional [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Final Cut Pro Tip #040</title>
		<link>http://www.geekymac.com/?p=177</link>
		<comments>http://www.geekymac.com/?p=177#comments</comments>
		<pubDate>Mon, 30 Oct 2006 08:21:16 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=177</guid>
		<description><![CDATA[Final Cut Pro Tip #040 &#8211; Video Processing
Final Cut Pro supports several different type of video processing depending on which format you are working in.  In a nutshell it is going to be the quality of the rendered material.  Be careful here though, the high quality is not always going to be better. [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro Tip #039</title>
		<link>http://www.geekymac.com/?p=175</link>
		<comments>http://www.geekymac.com/?p=175#comments</comments>
		<pubDate>Fri, 27 Oct 2006 12:55:54 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=175</guid>
		<description><![CDATA[Final Cut Pro Tip #039 &#8211; Batch Export
I think that Final Cut Pro&#8217;s batch export feature is often overlooked.  With the addition of Compressor, most batch processing tasks in the Final Cut Studio workflow happen there rather than in FCP.  However, using the batch export function in FCP can be more efficient for [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro Tip #038</title>
		<link>http://www.geekymac.com/?p=173</link>
		<comments>http://www.geekymac.com/?p=173#comments</comments>
		<pubDate>Wed, 25 Oct 2006 07:50:03 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=173</guid>
		<description><![CDATA[Final Cut Pro Tip #038 &#8211; Add Edit
An alternative way to quickly add an edit to a clip, without using the razor blade, is to use the add edit command (control v).  Using this you can quickly make an edit exactly where your playhead is parked on the timeline.  One of the major [...]]]></description>
		<wfw:commentRss>http://www.geekymac.com/?feed=rss2&amp;p=173</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Final Cut Pro Tip #037</title>
		<link>http://www.geekymac.com/?p=169</link>
		<comments>http://www.geekymac.com/?p=169#comments</comments>
		<pubDate>Mon, 23 Oct 2006 04:40:39 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=169</guid>
		<description><![CDATA[Final Cut Pro Tip #037 &#8211; Razor Blade
The razor blade and be a very useful tool for cutting up a single clip.  There are two types of razor blade tools.  The regular razor blade (b) and the razor blade all (bb).  The razor blade tool will simply cut a clip, where the [...]]]></description>
		<wfw:commentRss>http://www.geekymac.com/?feed=rss2&amp;p=169</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Final Cut Pro Tip #036</title>
		<link>http://www.geekymac.com/?p=168</link>
		<comments>http://www.geekymac.com/?p=168#comments</comments>
		<pubDate>Fri, 20 Oct 2006 12:30:58 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=168</guid>
		<description><![CDATA[Final Cut Pro Tip #036 &#8211; Ripple Delete vs Lift
If you have worked on an Avid, you are familiar with the lift command.  Personally I hate the trim lift, but it does a good job of describing exactly what it does.  I like to use the term delete, but for the sake of [...]]]></description>
		<wfw:commentRss>http://www.geekymac.com/?feed=rss2&amp;p=168</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro Tip #035</title>
		<link>http://www.geekymac.com/?p=166</link>
		<comments>http://www.geekymac.com/?p=166#comments</comments>
		<pubDate>Wed, 18 Oct 2006 10:21:06 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=166</guid>
		<description><![CDATA[Final Cut Pro Tip #035 &#8211; Gang
You can use the gang feature in Final Cut Pro for several different purposes.  While you can use the new multi cam features for multiple camera work, you can use the gang feature to link up other video clips that may not have the multi cam relationship.  [...]]]></description>
		<wfw:commentRss>http://www.geekymac.com/?feed=rss2&amp;p=166</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro Tip #034</title>
		<link>http://www.geekymac.com/?p=159</link>
		<comments>http://www.geekymac.com/?p=159#comments</comments>
		<pubDate>Mon, 16 Oct 2006 08:12:19 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=159</guid>
		<description><![CDATA[Final Cut Pro Tip #034 &#8211; Apply an effect to just a portion of a clip
If you have ever needed to apply an effect to just a portion of a clip in FCP, you can use the range select tool to do so (ggg).  Simply drag over the portion of the clip that you [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro Tip #033</title>
		<link>http://www.geekymac.com/?p=156</link>
		<comments>http://www.geekymac.com/?p=156#comments</comments>
		<pubDate>Fri, 13 Oct 2006 12:01:02 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=156</guid>
		<description><![CDATA[Final Cut Pro Tip #033 &#8211; Set Default Transition
If you have ever lost your default transition, it can be frustrating to restore since it is not necessarily an everyday task.  This one got me the other day, so I thought it was worth a mention. 
To set the default transition, simply go the the [...]]]></description>
		<wfw:commentRss>http://www.geekymac.com/?feed=rss2&amp;p=156</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro Tip #032</title>
		<link>http://www.geekymac.com/?p=149</link>
		<comments>http://www.geekymac.com/?p=149#comments</comments>
		<pubDate>Wed, 11 Oct 2006 08:40:48 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=149</guid>
		<description><![CDATA[Final Cut Pro Tip #032 &#8211; Cheat the System
Lets say that you have several sequences that all need to be rendered in FCP.  And lets face it, generally rendering is not something that you want to wait around for.  Well cheat the system and render a great number of sequences all at once.
In [...]]]></description>
		<wfw:commentRss>http://www.geekymac.com/?feed=rss2&amp;p=149</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro Tip #031</title>
		<link>http://www.geekymac.com/?p=138</link>
		<comments>http://www.geekymac.com/?p=138#comments</comments>
		<pubDate>Mon, 09 Oct 2006 14:01:43 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=138</guid>
		<description><![CDATA[Final Cut Pro Tip #031 &#8211; Browser Columns, In &#38; Out
The in and out columns in the Final Cut browser window represent the in and out point of a clip.  It is  the media start and stop that represent the actual media or clip duration.  Therefore the media start and stop points [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro Tip #030</title>
		<link>http://www.geekymac.com/?p=135</link>
		<comments>http://www.geekymac.com/?p=135#comments</comments>
		<pubDate>Fri, 06 Oct 2006 09:00:15 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=135</guid>
		<description><![CDATA[Final Cut Pro Tip #030 &#8211; Match Frame and Beyond
Often I will be editing on the timeline in Final Cut and need to go back and find the clip in the browser.  If you only have a few clips this is not a problem, but if you have a lot it can be a [...]]]></description>
		<wfw:commentRss>http://www.geekymac.com/?feed=rss2&amp;p=135</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro Tip #029</title>
		<link>http://www.geekymac.com/?p=134</link>
		<comments>http://www.geekymac.com/?p=134#comments</comments>
		<pubDate>Wed, 04 Oct 2006 11:26:26 +0000</pubDate>
		<dc:creator>Jared Picune</dc:creator>
				<category><![CDATA[Final Cut Pro Tips & Tricks]]></category>

		<guid isPermaLink="false">http://www.geekymac.com/?p=134</guid>
		<description><![CDATA[Final Cut Pro Tip #029 &#8211; Play in to Out
Lets say that you want Final Cut Pro to only play from the in point to the out point and stop.  Well, this is how you do that.  It can be on an individual clip or on the timeline.
Step one select your in and [...]]]></description>
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